being played and supported by: boris ostgut ton, chris liebing, kr!z, jonas kopp, roman lindau, truncate, truss, phase, dustin zhan, lucy, gareth wild, dvs1

lawrence is always in a rush. running dial records, smallville and laid with his friends, being part in an awesome arts gallery, jamming some outerspace music with his mates rvds and christian naujoks, dj-travelling around the globe: how can he ever find the time for producing high quality house music!

roberto finally debuts on be as one after having recently joined the label booking agency and main core, and he does it with style. for those that have been keeping an ear on the uk techno sound roberto should not be a new name by now, having released a series of well received eps on artform and affin, and being a resident at londons legendary fabric club.

oneoffs is a new sub label under the ever growing local talk umbrella. with oneoffs we have a clear vision to deliver not only one house style but to be very open minded within the whole spectrum of 4/4 rhythms. it is all about being musically curious, free and looking at house music with both retro, current and futuristic specs. so basically dont expect anything, our aim is to surprise you! the first release has three different producers from sweden, ireland and spain showcasing three different styles of house.

eclectic avenue welcomes the inimitable lil mark, one of the true stalwarts of the uk house scene & regular contributor to some of the finest imprints worldwide. here mark expertly shows his unique knack for genre-straddling. kicking off with pulling strings more familiar lil mark territory, with his trademark tight-as-hell percussion & firing bass sat below a freaked-out twisting riff. seriously, this bad-boy takes no prisoners....other than the ones on the dancefloor.... on the flipside we are treated to memoirs, a beautifully sumptous lo-slung roller, utilising a vox refrain over the top of a glorious rolling bass groove. like being comforted by a welcoming acid-bass-hug, this is truly something special. nestled inbetween marks original cuts is e.a.r. main-man j.cub, who offers up an alternate interpretation of memoirsl. taking the vox refrain & weaving it throughout the track like an instrument, j.cub nudges the tempo up slightly & adds a solid percussive backdrop & a reworked bass groove, creating a cut which is deep enough to warm the crowd but packs a solid punch at the same time

sino is proud to present delaze . delaze is a multi faceted music producer. coming from a culturally diverse and deeply rooted music family, becoming a music producer of varied taste was an inevitable path. his father was a well known radio host in the city of brasilia back in the 80s. it was there where delaze discovered his love for music. being surrounded by his dads massive vinyl collection enabled delaze to appreciate the classics. for his first ep, sino selected three tracks. bloody samba as the title suggest is inspired by the heat of brazilian carnaval. aint hot is deep and funky oscillating between techno and house. discoordination goes disco.

bringin’, to ya…, your daily dose of deep house music, sweetwax is a new force to be reckoned with. despite being a young record label, sweetwax is operated by two old blokes who still love their music on vinyl. so expect deep sounds on sweet wax.
enter the universe of the new parisian duo and be conquered by their sexy rhythms. electronic funk riffs and explicit samples, the two djs heighten to a max your senses. get hot now, & let music make you high! the acces is sending you straight to the heaven. the parisian duo deep house the funk, it’,s a soul dance trek! 3 tracks of a mesmerizing blend of sweet and sexy sounds. for fans of hot creations, soulclap and just good classy music.

over the last year i have traveled to canada frequently for gigs and got to know the small but healthy electronic music scene there. cities like montreal, vancouver and toronto have brought forth many established artists over the past few years, such as egyptrixx, azari & iii, basic soul unit, jacques greene, lunice and sixtoo, but 2012 has seen a new breed of no-nonsense house and techno producers come up via labels like turbo recordings and naked lunch. this *dovercourt ep* features three very talented producers: kevin mcphee, nautiluss and gingy. their tracks are a dedication to their hometown of toronto. being removed from the house/techno epicentres of berlin and london, these three are much less interested in what is fashionable or trendy, and more in bringing us straight to the point, no frails jacking house music. i have been playing these three extensively in my dj sets, and i hope you will too. so out to toronto, this one is for you! enjoy. martyn

mutual musik is back on deck: the label, which for the time being is based in berlin and munich, – kicks off its third ep with liell. liell stands for >liebe ist ein leises lied< (love is a quiet song) and the four new tracks from label captain johannes beck reveal techno from a poetic and fragile aspect. beck’s sophisticated compositions are characterized by slowly evolving arcs of suspense, simultaneously careful and powerful piano cues, and basses which delve into the innermost realms. the tracks are created for the club but go beyond musical fads and count on a timeless style

since its inception in 2001, each entry in the pop ambient series has included its year of conception in its title, an irony in the fact that many consider the music being timeless in more than one way: a feel-good classic to some, a rigorous experiment to others, pop ambient always has located itself between the poles of habitual listening and sonic curiosity, with the space in-between beats being a way more interesting material than the beat itself. as in the years before, pop ambient 2013 collects an illustrious cast of producers uniting genre pioneers alongside old friends and some surprising new arrivals.
the 12 inch vinyl comes with a cd-copy of the full album.

beaten space probe is the rising star of the new tokyo disco edit scene. his first record on glenview comes with 4 edits, the first being his take on brooklyn dreams “street man” followed by barbara roy “if you want me” b/w norma jean wright “sorcerer” and larrys fat band “act like you .

eagerly awaited art debut by pittsburgh techno artist shawn rudiman. a key part of pittsburgh funky take on the detroit blueprint, rudiman has been blowing minds with his live shows for years - and now he brings some of that energy and diy approach to sound-making to uks finest dance label art. the original mix is a perfect example of rudimans direct, live mix approach to recording - resulting in an energetic effect perfect for the dancefloors. remixes come courtesy of frank mueller & john selway. both of whom take the original on a melodic journey with twists and turns galore. another special release and well worthy of being arts first limited edition anniversary release to celebrate 20 years of releasing the best in underground dance music.

phoenix g. ferm and deep kickdrums that are being accompanied by lengthy chords and a frequently return male vocal that states, bounce. all and all this is the dancefloor music we are used to from mr.g. the a2 brings a more technoish vibe to dance to. this fits perfect in the modern trend of bass producers turning techno. while of course g is somewhat more of a legend and he didnt just turn to this type of music recently. it does proove that he is still abel to catch any kind of vibe to get the people moving. on the b1 we find a ben sims remix. which of course is enough said. mr sims turns the a2 original into an absolute floor wrecker.

taiki and nulight or to their friends rowan harrington and erka chinbayer have both been djing/producing for many years both in very different circles. taikis career started back in 2008 under his old alias name site 1 who was a house/electro producer. they joined forces and started working together in 2011 which now seems like a lifetime ago considering on what they have achieved in such a short time. when they first started out working together they were making a lot of dubstep, house and electro influenced bass music as we call it now. being heavily into garage, house and electronic dance music there sound heavily progressed across the spectrum of dance music. taiki and nulight released their first ep in february 2012 on subway recordings which gained a lot of support from the likes of mistajam, crookers, herve zinc, redlight, foamo, roska, benga, skream, adam f, hatcha, n type and more. gaining them a lot of frequent airtime on bbc radio 1, 1xtra, kiss 100 and rinse fm. now nearly a year and a half since they have joined forces, they have received massive support from some of the most respected djs out there not to mention air time nearly every week on radio 1 and kiss 100. with their next release on the horizon and due to drop december time 2012 on bengas very well respected label benga beats there is so much more that you will see from these boys and so much new material to hear.

doubleheart is neil landstrumm and optimos jd twitch. after releasing a well received first ep on nonplus in 2011 shipwrec is proud to announce their second output of music and again its an open-minded and next-level approach on electronic dance music, blending styles with precision and fun, whether being it bassmusic, electro, disco, dubstep or whatever. oldschool future bass music for both head and feet! comes in a printed disco sleeve, limited to 300 copies!

detroits monty luke brought full flavor music the highly anticipated >bomb on bomb< ep which dropped in the summer of 2012. other than being carl craigs right hand man at planet e communications, monty luke has been letting loose chart topping eps one right after another all year long. planet e, kms, mothership, get physical, and montys own black catalogue are amongst the labels he has been busy releasing with. full flavor music is happy to be getting out the highly anticipated remixes to >bomb on bomb< by h foundation and gerd.

botox present >basement love<, the first part of their second album >sans dormir<. two years after their previous lp >babylon by car<, cosmo vitelli and julien briffaz decided to unveil this new project through six different moments - call them eps - like six volumes forming a single story, each one being released every two months. the slow title-song >basement love< is released as a way of introduction, along three dancefloor remixes that lift this basement up in the air.

jack dice is a new project from john twells and walkmaster flex, now releasing their debut ep for modern love. john twells, amongst very many other things, runs the type label and has been producing music of various different disciplines and varieties over the last 15 years. although hes never released anything on modern love before, hes a long time friend and associate of the label. walker is the manager of main attrakionz and has been djing with them for the last couple of years as the official green ova dj. jack dice is fuelled by an interest in bass, twells being a car audio nerd and walker having an obsession with 90s southern rap music. these are their first tracks produced together, who know what might follow.

this fine low-profile label (white labels/stampbizz) is slowly gaining momentum with a steady stream of fine (deep) house releases that are being played out by established names. here we have some fine detroit influenced house tracks. limited pressing.

live in london vol 3 of 6 vinyl samplers taken from john digweeds live in london lp. hand picked by the main man himself.

double vinyl lp + cd.

daniel blackbelt andersen has been active in the norwegian dance music community for a number of years. he got into electronic dance music in the early 90s, and first started emulating the sound of detroit techno on his fathers home computer. these are three brand new tracks not being part of the recent album ii.

the man who brought saltyness into house music- julius steinhoff - comes up with his second solo 12inch on smallville- so glad. connecting to salty days - one of the longplayers of the decade by smallpeople (aka julius and dionne), steinhoffs soloworks strike even more voluptuary with slightly rapturous pleasure. being founder of hamburgs finest record store and label, smashing worlds deepest parties with guests such as omar s, jus-ed, mike huckaby, xdb, steven tang and tons of other favorites, julius steinhoffs knowledge has been compressed to a state of the mind 12 inch.

the sailorman ep is probably the most personal in alle farbens discography up to now in which he turns cherished pieces of music history and poetry with great love for detail and transforms them into contemporary club music. with it he shows his preferences for classic singing, lyric, the coast and the sea. through the clash of the unusual alle farben produces again and again a successful symbiosis and creates a unique stimulus. with the remix ep alle farben rallies round a few of his companions oft he last years and a familiar colourful musical mixture came into being.

despite the advent and cari lekebusch being two of the most enduring names in techno, the release of sonic intervention is the most high profile product to date of a working relationship that has that has spanned almost the entire history of techno. something of a landmark for all concerned, not only is it the first full-length album from the advent since 2005 s t.r.i.n.i.t.y long player for berlin s tresor records but for h-productions and its founder, the project is the highlight thus far of the labels resurgent release schedule. as lekebusch commented, to have known and respected cisco and his music or so long it was of course a great moment to get to release this album. the blend of old and new styles with high caliber the advent production has created a strong album with depth and variety that i think new and old fans alike will really enjoy .

this is part 2 of 3!for most labels catalogue number 10 is an occasion to make something special. and so it is for killekill. we have collected tracks from our regular label artists plus some guests who frequently play at our parties and therefore we consider being part of the killekill family.

this is part 3 of 3!for most labels catalogue number 10 is an occasion to make something special. and so it is for killekill. we have collected tracks from our regular label artists plus some guests who frequently play at our parties and therefore we consider being part of the killekill family!

thia is part 1 of 3!for most labels catalogue number 10 is an occasion to make something special. and so it is for killekill. we have collected tracks from our regular label artists plus some guests who frequently play at our parties and therefore we consider being part of the killekill family.

a real treat up next for you on apple pips, coming from talented plymouth based beatsmith phat chex … phat chex aka ben pooley came to apple pips attention through the dj/promoter necta selecta, who was repping chex beats at the legendary subheavy parties. when necta dropped >git da funk<, it was a case of >who the ruddy heck is this by?!<. a friendship was struck up, and tune swapping has resulted in these two beauties being dropped on wax. a versatile producer who sums up the current bass scenes openminded attitude to genres and influences, chex is at home making deep electro, heads down techno, smokey jazzed out house, or post whatever bass music.

presenting a new collaboration featuring oren ambarchi on guitar, the electronics of robin fox, and both performing on various other instruments. the music on this album came about as the result of the two being asked to co-compose the soundtrack for a new production by renowned australian contemporary dance company chunky move for their connected production.

this is n eight track release series built of four remixes and its previously released originals now in form of a re-issue to complete the series. successful tracks like lufts >in high spirits< or even more secret gems like livu grozas no love are brought back on stage by being amazingly remixed by other raoul artists or friends of the label. the first edition features remixes and originals from: luft, crowdpleaser, liviu groza, digitaline, emilie nana and dollar mambo. the vinyl edition includes only the new remixes.

this ep consists of 4 electronic but organic tracks which make you and me, we an ep that allows you to sense the vibe that these artist share with each other producing in one studio and being friends.

nice price deal !!! prism studied drums under vance gordan specialising in afro cuban rhythms and the moeller technique prior to venturing into music production. after becoming more intrigued by the intricate likeness of all societies, cultures and religions, prism was created with a deeper purpose. not only to showcase these influences but to convey an awareness that all things no matter how different they may appear in physical form, are all the same. having an ear for deep jazzy tunes and being hugely influenced by the early metalheadz era, prism continues this sound in his selection of music playing vinyl and unreleased dubs from all around the world. always in tune with the roots of what started both dubstep and drum and bass, prisms selection rarely strays away from raw, emotional bass music but contains something for everyone which will insure a good time for all who catches one of his sets

nice price deal !!! aÑa / henning baer / norman nodge / musk.... no one knows exactly how, or why it happened. we can only postulate. perhaps it was rogue hydrogen atoms causing havoc again, or a particularly voracious wave of em radiation hell bent on finding a good time. the point is, (in those days) such lude behavior was simply unacceptable: aÑa had become excited, too much so for the solar stiffs that swirled about her. and that system of hers—always buzzing around, refusing to share anything—it had to go. so both were exiled from that collision patch they called home, leaving aÑa and her system to wander the cosmos. some years passed. aÑa grew a little, but mostly she practiced her basswalk—not this girly swooshy thing with your hips, but a real bolshy bovver boot stomp. after a while she got pretty good at it, she wanted to show her friends. maybe theyd like to basswalk too. well, they couldnt get enough of it—but no one did it quite like aÑa. henning baers had a bit more groove to it and this whole new tweaky hat element. norman nodge kept his pretty punchy, but all that time spent in berghain had turned his basswalk into a bit of a skulk. as for musk, the boys inverted the whole thing of course—turned a disco trick, shifting the march down into more of a slinky house glide. aÑa liked them all so much—and it was time isolated system stopped being such a separatist—she decided to gather them all together to make basswalker part i. now you can basswalk too

great dont techno 4 tracker... new moves from cursor, ben pest & jerome hill ... cursor miner has built a solid reputation over the years for being a free thinker in the world of techno, breaks and bass music, and here for dont he delivers the massive >nonon<. with early support from perc, the track has to be heard to understand... it lures you into a trance then thunderous spastikesque drums pummel the listener into submission. in one word, classic. plus you get palinki, a warped techno bouncer. on the flip, another freethinker, ben pest treats us to >yam um sugli<, with deranged synths and drums practically oozing funk, this sounds like nothing else on the planet.. which is what dont is all about! finally, label boss jerome hill steps up to give a reworking to the aptly named >rumbler<, an intense techno bruiser!

chairlift present takes on several cuts from acclaimed second album >something< by some of their favorite producers, showcasing how their songs can easily be adapted for the club. appropriately titled the 6.15amix, spanish equipo fantástico john talabot and pional turn >i belong in your arms< into a balearica-infused club-closer. a nifty piano line and seductive rhythm take the song on a late night (or rather early morning) trip to the beach, while carolines voice is being warped into something from outer space. photek takes the same track to a whole different place with his powerful jungle interpretation. martyn respects both the pace and rhythm of sidewalk safari, yet exchanges the clean production for a rather more cosmic beat, incorporating many of his signature touches to compliment the sinister >i m gonna hunt you down< lyric. dan careys dub mix of >sidewalk safari< shows a more playful side, while arguably the most intriguing remix of the package is the fields take on >met before<, recalling his early work it is so warped and layered you may struggle to imagine the original minus the smallest of hints.

sixth instalment from the shack and another generous exult in aural pleasing for the intelligent of house heads out there. two original tracks, two in-house remixes, you know the score with these guys…this is how they work. key to the label and artists success is being reliable and consistent with the flow, something obviously being picked up as the label once again is topping the right charts and getting the props from the right people. expect no different with 006.

the black madonna hits home taping hard with her first release on the label >alright this morning<. coming from the middle of nowhere, but now based in the attic of a house in chicago that used to be the home of over 50 dance labels, she likes her music to do the talking and admires the anonymity and musical militancy of acts like underground resistance. having being brought up working in the music industry as an apprentice doing this, that and everything and helping to run labels, she actually refused to let anyone hear her work for years with masters gathering dust and never seeing the light of day. until now when, after the encouragement of a producer friend to get her stuff out there and a chance find by home taping of a few tracks online one day, she has now found a place where she feels at home. the first of a string of releases on home taping sees the jubilant and heavily chicago-influenced >alright this morning< released along with a remix by one of her favourite new producers, nicholas from italy. the rest is history and up to you ...

did you see that reckless kid sitting next to rebolledo at the wheel of a convertible, racing around the mexican countryside while chanting things about revenge and seduction? it is also him being the handsome gadabout restlessly rushing through the streets of barcelona, claiming that he gives nothing. and there is a possibility that maybe last weekend that very same boy bewildered your local dance grotto with hyperactive vigor. talking about monterreys daniel maloso and his fabled comeme collaborations with rebolledo (including the much acclaimed desierto ep), his colossal solo debut >hijos de jose< and his reputation for highly intense live action.

permanently being busy performing, the so funky duo masomenos nevertheless take their time to produce. such as the artwork basically already is announcing it, things go in cycles in masomenosville (s/s). so, this ep is the start of a new series, and a delicious example on how to effectively create different moods.. st jacut (with lemos, feat. jaw (dop) is the charming vocal opener... go on my son (with lemos) is the classic housey lift-up, tomorrow (feat jaw (dop) got that reflective vibe. finally tofidi (with lemos) is an ohhh so effective masterpiece...yeppa.!!

a musician on a mission, navid izadi has quickly risen from a san francisco club kid to buzzing new one to watch. rolling as a dj, singer and rapper (but rarely over rap beats), and producing music that effortlessly weaves between influences, his talents are being drafted in and championed by a range of industry heavyweights.

craig mcwhinney is a melbourne based dj, producer and live artist. beginning his techno explorations behind the decks in 2000, his transition to the studio has been swift and fruitful. a string of releases on his own label haul music which he co-founded in 2008 with friends mike callander and christian vance, are now being backed up with remixes and eps for speedy js electric deluxe, and brendon moellers steadfast records. drawing upon his wealth of djing experience, he crosses the boundaries of dub infused techno and house with precision and intent, blurring the line between dance floor dynamics, home listening, experimentation and sound design. he is also collaborating with mike callander as haul music live, fusing craigs rhythms with mikes soundscapes to create unique dance floor interpretations of their individual sound experimentations. wild coast is a low-slung filthy minimal romp that possesses as much primal energy as it does futuristic funk. bassbins and heads are likely to be blown by this demented puppy. echologist keeps things lofi, hypnotic and subby.

before the release of his debut album on ki, monokle throws in an ep to show us what to expect. the beautiful track >swan< pretty much describes perfectly what monokle means when he says that simple rhythms and catchy beats get him bored quickly. being influenced by the music of the british imprint warp for example, the sankt petersburg based artist has pretty much developed his own interpretation of well, what should it be called? it is monokle! he has his very own aesthetic approach to music and has a very fine hand for sublime melodies and atmospheres. on the b side he teams up with his friend and partner milinal. >swan< gets a proper retouch by daisuke tanabe, who shares monokles deep soundscapes and is just the right member of the ki family to get his hands on this ep.
pressing on transparent blue 10 inch vinyl.

eats everythings forthcoming release for dirtybird continues to gather momentum. since first being showcased on diplo & friends radio 1 show by justin martin and claude von stroke, the track has been making the round and has since appeared on pete tongs show and annie macs mix for the channel 4 house party.

british born luca lozano is a new addition to the morris audio roster. both m.u.s.i.c. and lover 106 are well balanced club tunes between house and techno and incorporate deep, dark and intense emotions. morris audio and klasse buddies kris wadsworth and jordan peak are offering some serious pimped up remixes of those hot tunes. yes, we are all back on track!
besides being the co-founder and a&r of up and coming klasse recordings, luca is preparing his full length album. he has been recording for labels like claude vonstrokes dirtybird and off course klasse. busy times in berlin!

the smugglers inn has become a unique testing ground for new artists and productions and many of todays highly rated new school producers benefited from early support on the show as well as behind the scenes a+r advice from daniel when approached by record labels after being featured on the show.with a network of talent to draw from, it seemed a logical step to start a record label so this is the first release from what promises to be an interesting series of eclectic, dancefloor focussed musical endeavours from an all-star international cast.

after 2 years of squabbling over who does the washing up and various teabag shortages in the kitchen, luke and milla decided to take their arguments into the studio. milla comes from an indie and scando-pop listening background with luke being a full on house and techno chin stroker. they love to experiment and record lots of different sounds for their compositions, be it 5 guys in the garden shed bashing bin lids together, screwing up plastic bags or sweeping the floor, if it makes a sound, it makes music. together they have created a spacey and melancholic two tracker abundant with love and emotion. >disappearing stars< comes with a matthew burton and kate rathod remix and the >its just us< remix has luke and matthew behind the wheel taking it down to china town.

felix lenferink, one of the many aliases of the prolific steve mensink, operates on the highly fertile intersection where house meets bass music. with this ep hes not only blending these two genres, but taking them to another level as well. in three tracks we are being treated to fresh broken drum rhythms,lush harmonics, intricate atmospheres of sound and sexy female vocals. top-notch production skills again by felix lenferink, after successful releases on rotterdams triphouse (as frits wentink), fourth wave (sublabel of ramp) and lomechanik (as urkelle). limited to 200 copys including amazing doublesided poster + download code. tip!

a freaky, bumping brand of deep house that stands apart from the glut of smoother styles being mined at present. >groove your world< boasts surreal pads that create an overall delirious vibe, only bolstered by the off-kilter choice of vocal snippets and occasional thunder cracks. medlars remix finds its way into that swinging shuffle that hes made his name on thus far, with some smooth keys to boot. >let me know< works off some bold chords before meandering off in an altogether different direction, and >you got my time< clatters along with a quintessential chicago ruffness that leans heavily on the drums